The Inner Piece

May 21, 2012

If your boy claps hands

I was totally obsessed with this song when I heard it on the Indie/Rock Playlist from September 2011, then I found the music video and was obsessed with that for a while, and now I’m obsessed with the band in general.

“If Your Girl Sings Loud,” by Auditorium.

I love the sheer number of V-neck tshirts in the video, I love all the nature, I love the awkwardness of the intro, I love the tequila shots… the only downside is that the main girl is wearing an apron (ouch), but at least she’s playing bass. What a badass.

Watch for a full album review coming soon!

May 3, 2012

A lesson for the Pac NW

One more time, I’m going to talk about the weather. You know I’m not usually one for letting clouds or rain have any bearing on my mood. I still feel that way, subconsciously, but I learned the hard way that you may find yourself affected by low levels of sunlight or long hours of darkness more than you’re aware.

Though I’ve felt pretty emotionally positive most of this winter, the past few weeks have been miserable, giving me a glimpse into the experience of having mono: I’m perpetually exhausted, could fall asleep at the drop of a pillow, I’m completely unmotivated and disinterested in many things I usually love, and often feel anxious and worried about things. A quick consultation at the health center told me I did not have mono, but got me concerned that I may have clinical depression and/or anxiety.

After a blood test, I was told I simply had a severe Vitamin D deficiency, which apparently is supposed to explain all of my symptoms. They gave me a prescription for the highest dose of Vitamin D possible, which I can only take once a week, and told me not to supplement with any other multivitamins because they would actually give me an overdose of Vitamin D.

I’m awaiting a newfound feeling of vigor and restfulness.

April 13, 2012

Feels like years

Filed under: Music — Tags: , , , , , , , — josahlin @ 6:16 pm

A few of the countless reasons I *L|O|V|E* this song:

1) It’s true, at least right now. About a week of sunny days in Olympia– rare in themselves individually; even more unheard of in a week’s company.

2) John actually sings along with the guitar part. That makes it feel like the song has been around forever, and the Beatles are just covering it, albeit lazily and with utmost casualness.

3) George wrote it. Favorite Beatle, hands down. You know you can’t argue.

4) “Here comes the sun,” they say, and then… well, you’re not sure if they say “it’s all right,” or “it’s alright.” Either way, I appreciate that they aren’t saying, “here comes the sun, f*cking FINALLY, jeezus, where the hell has it been?!” Nah. The sun is out. And it hasn’t been out for a while, and that’s totally cool. I like the unconcerned attitude The Beatles have about the weather.

5) It never gets old.

6) It’s metaphorical.

7) It’s universally appealing.

April 6, 2012

It is Spring.

Long time coming, right? This Winter was a bit odd for me, musically speaking. For the past few years, Winter has meant holing myself up in a room with lots of philosophy books and melancholy folk music– not because I was totally depressed, but because it always just seemed appropriate. Plus, I tended to be alone for the majority of the time (by choice).

This winter, however, I found myself socializing much more than usual and that influenced the kind of music I was listening to, which really tended to be pretty upbeat and motivational. This also served to introduce me to way more music in one three-month time span than in any other season that I can remember.

I imagine most of my readers won’t enjoy this, but here is an example of something new I heard (Mom, don’t watch):

But I also stuck to some music I would typically listen to in any given winter. William Elliot Whitmore is one of our group’s favorites to listen to, and a few friends’ favorites to cover.

So now I’m moving on to some Spring music, which includes The Dodos, the latest album from fun., Miike Snow, Bombay Bicycle Club, Andrew Belle, Blitzen Trapper… I’ll keep you updated.

I am faithfully continuing my tradition of creating seasonal playlists (and I’ve been discovering so much music lately that I usually end up with about three per season), so maybe soon I will upload them and share.

Happy Spring!

February 17, 2012

You old blue Northern

Some people have memories of childhood that involve getting stuck in one of those blow-up bouncy castles as it collapses, or longboarding in a parking garage in the wee hours of the morning.

One of my clearest memories from my early teens takes place in Ellensburg, Washington. Most Washingtonians consider Ellensburg the scourge of the earth, but I’ve always had a soft spot for it. I was visiting a close family friend with my parents, and we were gearing up for another friend’s barbecue/chili cookoff. It was to be quite an event: at least a dozen different types of chili, a spiciness contest, a cornbread contest, plus live entertainment. Surprisingly, I don’t remember the food much at all, but I remember distinctly the two songs I was supposed to participate in: “Quinn the Eskimo” (a sing-along extravaganza with live backup band) and this song, which I found sad and beautiful and everything I would want my life to be if I were a true cowgirl.

As I remember, I was invited to sing this song as a solo, and I would ride in on a horse and sing it from there with a single guitar accompaniment. I was never a confident soloist and got cold feet like crazy, so another girl (a gorgeous, seventeen year old, real live cowgirl) did the whole bit. I was so jealous and remember complaining to my mom about it, but what could she say? I’d had neither the confidence nor the preparation to perform it.

This is one of those songs that I searched for for years, finally landing on it and being surprised to find that I love it as much as I ever did. It’s not the usual thing I post, but listen.

September 18, 2011

You’ve got this thing about you that keeps me on the edge of my seat.

I cannot tell you how amazing my life is. I’m a pretty happy person, but lately I have just been pumped. All. The. Time.

My birthday is in a week, and nearly all of my friends will be there helping me ring it in.

I have fucking awesome friends.

I listen to good music all the time.

The student newspaper’s website is better than ever.

I’m setting up my own contract this quarter and I’ve picked out all my reading materials.

I’ve been flexing my editing muscles and I LOVE IT.

Oh god, do I fucking love it.

No one can rain on my parade. (Though the Olympia weather is trying its hardest.)

(Title of post from “Teeth,” by The Ettes)

September 3, 2011

New Discovery

Filed under: Concert, Music — Tags: , , , , , — josahlin @ 12:40 pm

“It Hurts Me Too” by folk artist Karen Dalton.

No one seems to be sure whether she influenced Bob Dylan, or if it’s the other way around.

I can’t get over her voice. It’s so old-time jazzy (think Billie Holiday), but works perfectly with her guitar style. So… jury’s still out on this one, but I’ll get back to you.

And this one. Alright, I’ll admit I like this one mostly for the French sous-titres. Subtitles. :)

July 17, 2010

“How ’bout it then?”

I can’t say I’d rather be sitting here listening to music than anything else in the world at this very moment in time…

… No, I take that back, yes I can.

Because no matter where in the world I was, no matter who I was with, no matter what I was supposed to be doing, or no matter “what fate had in store,” no matter whether I was alone, if it was dark or light, what the music was… if I choose to, I could learn everything I could possibly ever want to know from music, school be damned.

See, when the Rolling Stones said, “you can’t always get what you want, but if you try sometimes, you get what you need,” well, what if all I wanted was simply exactly what I needed?

Ha, got you there, haven’t I, Mick? Eh, Keith?

Yeah. Because really, what more are we entitled to want? Everything else is a luxury; everything else is optional. But we have to make the choice to be OK with what we need to sustain us… just in case everything else looses its meaning or is stripped away.

And if you’re wondering whether music would then survive… you should probably leave this blog page. I mean, really. Music will always survive. Everyone has a voice, right? Or they have bodies with which to make rhythm. Or they could whistle, or make percussion. There are so many options in Nature. I like that the Stones said, “if you try sometimes, you get what you need”. Yeah, it takes effort… not to get what you need, necessarily, but to realize that what you need is really all that you could ever want or demand. And then, when you want a little more than that, you’re not disappointed if you don’t get it… or you’re pleasantly surprised when you do. It’s like being a pessimist… but it has a less negative effect on the world, and a more self-fulfilling one.

If you try sometimes…

*

(Title quote from “Pirate Radio.” Great movie, if you haven’t seen it.)

March 15, 2010

Sound

Filed under: Music, poetry — Tags: , , , , , , — josahlin @ 4:54 pm

Mallarmé-inspired poem: Sound

As though it was there the whole time,
It could be a beat alone.
Strikes chords within us,
Palpitations around his throne.

It doesn’t have to be audible,
It will be expressed.
A tenor trilling at the top,
He thinks it’s all a test.

Like we’re cathedrals,
A dome for a crown.
His shines and locks like a chord,
It’s here and then it’s gone.

Overtones of a crowd
Lifted feelings in song,
In the ring of a tree,
We sing to lose the smog.

This poem was inspired by Mallarmé’s “Sainte,” which I loved particularly because of the musical references and the last line, “Musician of silences.” I decided to make mine a little more obviously musical. I love that Mallarmé managed to use instruments (mandolin, flute, and harp) but still maintain the aspect of nature (“Magnificat in rivers flowing”), so I tried to do the same thing but with the voice instead of instruments, and the expression of the voice.

January 20, 2010

Love really is all you need.

Filed under: Faith/Spirituality, Music — Tags: , , , , , — josahlin @ 1:27 am

I say it all the time, and people get tired of hearing it.

People think Love is a given, like “yeah, there’s love in the world. Whatever. I don’t have that person yet, but it’s nice that other people express it. Like through music. Music is cool.” If you’re someone who says that, STOP. You may not realize it, but it’s hurting. Apathy is what kills Love before hate even takes a bite.

Love is not a given. That’s why people express it, and why it’s so taboo. That’s why there are so many self-imposed rules around Love that are actually quite meaningless. Those rules are what make us think that Love is for “that special person.” Rules are what make us think that Love has to be expressed at a certain time or place. We think Love isn’t spontaneous, because there are so many rules that say that it needs to be reserved for… something. I don’t know what.

Same with music. Why does it make us uncomfortable when people burst into song or start whistling, randomly? When did we start thinking that music had to happen in a recording studio or in a scheduled concert?

This video doesn’t help those points at all, since this Music and Love is very planned, but it does show that we don’t have to “hold out for love.” Love is all around us. We do have to accept the responsibility to pick it up and spread it.

I mean, for God’s sake (literally), there are people singing in Afghanistan, and my first thought when I saw that was, “wow, how did the Americans making this video get those Afghani people to trust them?!”

Since when do we have to TRUST people to make music with them and SPREAD LOVE?!

Also, need I point out that technically, it was the Beatles that brought people together like this? I think it is phenomenal that there is this one group whose music (even if it’s just this one song) has stretched to so many parts of the earth. We really are united… and it feels so good!

January 7, 2010

Pleasant Surprises

I’ve said it before (but not here), but I’ll say it again: Talking about Tchaikovsky and Nietzsche makes me feel like the college student everyone wants to be. Or at least, I feel like the college student I always wanted to be. I have to listen to it and read it, respectively, to be able to talk about it, and for once that’s what I’m doing!

First, I found Tchaikovsky’s 1812 Overture on my iTunes (one of those moments of musical joy)… but initially that made me feel more like a budding anarchist (because I also realized that V’s symbol in V for Vendetta looks like an upside down anarchy symbol)… so I moved on to the Nutcracker Suite. But that made me feel like a stuffed mouse or a five-year-old, not a college student, so then I moved on to the Swan Lake suite, which I guess feels a little more refined.

Then, I began reading The Birth of Tragedy, and got all excited because its alternate title is “Out of the Spirit of Music,” which is what Life is. And Love. Here, Nietzsche says it best: “In song and dance man expresses himself as a member of a higher community; he has forgotten how to walk and speak and is on the way toward flying into the air, dancing. His very gestures express enchantment. … He is no longer and artist, he has become a work of art: in these paroxysms of intoxication the artistic power of all nature reveals itself to the highest gratification of the primordial unity.”

… Oh my God, why in the world didn’t I use that for my paper last year?!

This one is even better: “Now, with the gospel of universal harmony, each one feels himself not only united, reconciled, and rused with his neighbor, but as one with him, as if the veil of ‘maya’ had been torn aside and were now merely fluttering in tatters before the mysterious primordial unity.” I don’t know what “maya” is, but otherwise, that’s pretty much exactly what I was trying to say last year. AND I DIDN’T GET IT FROM NIETZSCHE!

Actually, that’s kind of depressing. I thought I had a bunch of original thoughts… but of course this philosopher said it better. Well… Maybe not better. I mean, mine DID take up 25 pages, and I am pretty damn proud of it. I spent so many hours of heartache over it, and Nietzsche probably just rattled it off in a couple minutes without much research or soul-searching. At least that means that mine was more personally interpretive and meaningful. …But alas, I am biased.

December 5, 2009

September Mraz Musings

Filed under: Concert, Music — Tags: , , , , , — josahlin @ 11:04 pm

This was written ages ago, while I was waiting for the Michael Franti & Spearhead / Jason Mraz concert in Seattle to start.

—-

With nothing better to do, I’m writing while I stand. I’m on my 2nd or 3rd hour of standing, but all is good with the prospect of seeing Jason Mraz… again. Number three, baby. I guess I’m kind of a Jason Mraz hog [or maybe hag? I can't read my writing], but what do I care?

I smell weed, who knows where it comes from.

Oh, I just found out. A dreadlocked guy who rose a bit of havoc trying to get more to the front. His famous last words: “I’m not a dick but…”

The poor, clean-cut Mraz crowd doesn’t know how to deal with these hippies. The show goes on.

The air is warm with body heat. What a nasty description, I know. It’s a nasty feeling, too.

I wore my best shoes, as in, the most comfortable and functional ones I have. But I’m finding myself wishing a band would start so I can’t feel my feet.

Up first is Michael Franti and Spearhead, with whom I’ve only really acquainted myself in the past few nights. As I told my mom, it’s sort of music with a message crossed with reggae.

In pure Seattle fashion, fans have blown up a large trash bag, which would otherwise be used as a makeshift poncho, and are using it as a beach ball replacement, bouncing it around the crowd.

I’m hoping Spearhead isn’t so crazy, but after Gogol Bordello, I think I could handle anything.

——

Oh, was I wrong. There was mosh pit mania all over again during Michael Franti, and by the time Jason Mraz started, the crowd was packed so tightly that I could not breathe, let alone move. Most people had to crowd surf to get out, but I was all alone and didn’t want to do any such thing. So I tagged along with a couple who were standing near me, and we made our way to the back. We got death glares and a few possibly intentional shoves, but we were just glad to get out of there to breathe.

That was the farthest back I’ve ever been during a Jason Mraz concert, and it was still fantastic.

November 18, 2009

Make it better.

Filed under: Music — Tags: , , , — josahlin @ 12:49 am

November 10, 2009

Observing Ghostland

Filed under: Music, Review — Tags: , , , , , , , , — josahlin @ 1:05 am

I don’t think it’s possible to describe a laser light show to someone who has never seen one, but I’m going to try anyway.

Saturday night was the first time I’d gone to a concert where I had no idea who the headliners were or even really their genre. I didn’t pay for the ticket, which is a plus, but it would have been worth it even if I had. I was a little bored waiting for the show to start, but there was a DJ and it was a woman, which was cool to experience.

For …various reasons, I was pretty apprehensive once the show was about to start. We were right in the middle of the crowd, and I was terrified that the scene was going to turn into a mosh pit and we were going to get trompled and stepped on, and I was going to get sick and hot and miserable. My friends said, “it’s not that kind of show.”

Then the music started, and it became a little more clear that the crowd wasn’t going to be such a problem… but was the music going to be too loud? I was a little afraid that it was going to be a little too intense. My friends didn’t say anything– they were pretty wrapped up in the show, being the ones who actually knew what they were hearing.

Then… the laser light show started. My breath caught momentarily and I got nervous about getting sick again, but then it was too cool to miss by being sick, so I decided not to be sick, and instead to immensely enjoy this new experience.

Ghostland Observatory played for maybe an hour and a half, and it was the fastest hour and a half concert I think I’ve ever been to. I don’t remember being at a concert where I liked the music less, but wanted it to go on more.

It’s not my favorite genre, I must admit. It’s sort of electronica/rock/experimental, which I generally have very little patience with. I’m not sure whether the light show is what made it amazing, or just my state of mind, or what. I got home and tried to listen to the band on eMusic, and I could barely get through one song.

I don’t care. From now on, I have a resolution to broaden my horizons, even if it pegs me as a hipster (which, actually, I take a forbidden pleasure in–and I think that means I don’t really stand a chance of being a hipster anyway).

November 7, 2009

Are You Onboard?

Filed under: Articles, Music, Review — Tags: , , , , , , , , — josahlin @ 12:42 am

I just discovered a great new artist, Eric Bibb. His style is a right-on mix of folk, blues, and gospel, without being boring, too roots-y, or too preachy. I came across his website by way of StumbleUpon, which is another newfound joy that may just deserve its own post later. So the first song I heard, which came up instantly on the website, was “New Beale Street Blues.” It was such a great introduction. It reminded me a little of New Orleans (even though it’s about Memphis).

Besides having a great style, his songs and the album I downloaded (and frankly, the only one I have listened to) are very smooth. Not in a lame “smooth jazz” kind of way, but in a way that flows extremely well. He has a beautiful voice and his guitar work compliments it perfectly.

iTunes categorizes Bibb as Blues, which I would say is correct. I was a little worried that he would be pegged as gospel or Christian, and I don’t think his style exemplifies that slant all the time. Even if this isn’t the sort of thing you’d normally check out, I would look him up on eMusic or just at his website.

I have downloaded “Get Onboard” and “Natural Light,” along with only 9 tracks of “A Ship Called Love,” because I ran out of credits at eMusic (and already bought a booster pack today for the first album. sigh), and I highly recommend all of them so far. I will say that “A Ship Called Love” seems to have a little weird drumwork… a sort of monotonous, Stevie-Wonder-esque new age-y-ness. But other than that, I am very much enjoying it all. Plus, all the song titles are great, and in my book that goes a long way.

November 4, 2009

Wizard Rock Festival in MO

Filed under: Music — Tags: , , , , , — josahlin @ 11:09 am

If you go to wizard rock festivals, you never know when shallow wizard rock may turn into something genuinely inspired. If you don’t go, you don’t even know if it’s possible. For that reason, I wish I was going to this weekend festival in Potosi, Missouri. I’d love to be there to support the Harry Potter nerdiness.

www.wrockstock.com

July 25, 2009

boy with a penny

Filed under: Fiction, Music — Tags: , , , , , — josahlin @ 11:34 pm

Almost epic fail of NaBloPoMo (National Blog Posting Month, like NaNoWriMo–National Novel Writing Month–but you just have to post every day for a month).

Anyway, Saturdays were/are fiction day, so this is a short piece of fiction I’ve written. Please with all content of this blog, be respectful and do not copy or reproduce it in any way (or without proper citation)! Thank you kindly.

(*)*(*)*(*)

boy with a penny

The boy walked with purpose on the hot pavement, just to make sure even the birds thought he was going somewhere. He clutched his shiny penny in his fist, debating whether to put it in his pocket. If his pocket had a hole in it, the penny would be lost forever… but if he tripped, the penny might fall out of his hand.

He didn’t yet have a reason to distrust most people, but he wanted to pretend he did. If he pretended, it gave more purpose to his walk and more meaning to his penny. And it didn’t have to mean much, but why not pretend about that, also? He walked with even more purpose, with the determination of someone who had something to protect.

The penny dug into his palm, but he liked it. He clenched harder, and it hurt a bit. The boy smiled wryly, thinking that even if he did lose the penny, he would have proof that he had it once. What he needed was a scar, something that didn’t fade. Anyone who cared could look at the scar on his palm and see that, yes, the penny had been there. And it had been important.

A dog barked at him as he passed a yard crowded with someone’s possessions. The boy started, cringing when he saw the yard. Children’s toys were scattered everywhere and there was a line of empty flower pots of various sizes and shapes, perhaps waiting to be filled. The boy’s nose wrinkled at the disarray and neglect, and he made to walk more quickly, but music was drifting from an open window. He looked toward it, barely recognizing traditional negro music. As someone who didn’t listen to music on his own, he didn’t know how he could tell the band had a typical New Orleans jazzy sound, but somehow he recognized it. They played with a washboard and probably a homemade bass—it was live inside the house.

His gaze concentrated on the darkened window. Inside the house, he could just see outlines of dark faces and white teeth inside open, smiling mouths. A sitting man, a standing man, a standing woman closest to the window whose young profile he could see most clearly, and one or two more female voices.

He just had time to think that it was so odd, that these people were playing music in their own home, not for an audience that might pay to come see them, not even for people walking past who might deposit money in a jar (or maybe that’s what the flower pots were for), and that they weren’t just listening to music while they cooked or worked (or maybe cleaned their yard), when the music stopped. The music stopped, but the voices continued.

They rose and rose, and the boy could have sworn that there were ten pitches at a time, when there could only have been five voices at most, and then one of the voices sounded like it was crying, but another one must surely have been laughing.

And then he was sure someone was laughing, because he saw her—the young woman next to the window was turned toward him, and everything up to her eyes showed that she was amused, whether at the fact that he was probably standing and gawking stupidly, at the fact that her dog had barked at him a few more times and he hadn’t noticed, at the fact that he had slowly realized he’d been spotted, or at him losing his footing as he came to his senses and tried to stumble away, dropping something that glinted in the sun before it hit the sidewalk and bounced through the chain link fence into the dirt of the yard.

Everything seemed to be in slow motion. The boy dropped to his knees immediately, reaching under the fence to grapple in the dirt. The dog, who did not seem to be as menacing as his bark, sat down to watch the boy’s struggle.

The creak of the screen door to the house fell on deaf ears, but the black girl’s approaching steps caught the boy’s attention. He vaguely wondered what she was doing as his fingernails dug for the penny. Does she think she can to talk to me? Does she actually think I would respond?

The girl came closer. She was no longer laughing, but the boy didn’t look to see her face. It was traumatizing enough to be kneeling on the ground as she was walking to him; he didn’t need to give her his attention. Especially after he’d paid so much attention before, when she was singing.

She was too close now, still walking, but slowly, at a distance where it would have been awkward to speak, but even more awkward to stay silent. Just when the boy was sure she was going to say something, a finger scraped something hard and flat.

The dog got up to examine it as well, but the boy was too fast. His fingers caught the penny with a fistful of dirt, and he was gone, running quickly but in such a way as to keep his pride.

He couldn’t keep as much dignity when he realized he was lost. But he still had his penny. He looked at it as he slowed in an alley, and was dismayed to see that it was significantly dirtier and more scratched.

July 24, 2009

If I Could Be Anywhere…

Filed under: Articles, Music, Review — Tags: , , , , , , , , , , , , , — josahlin @ 11:56 pm

I brought it to my attention today (since there’s no one else out there to do it) that I haven’t been writing about music enough. Well, that’s because I haven’t been listening to very substantial amounts of new music. New singles from people I’ve never heard before every now and then, but not full albums.

However, I have been doing some YouTube touring, and call it cheesy… but I found something worth reviewing:

A channel belonging to Tom Felton (who plays Draco Malfoy in the Harry Potter movies, of course). It’s titled “FeltBeats” for his band, or just his production name, or something like that. He only has 4 videos, but he has an EP that is available on Amazon. And get this… he’s actually quite amazing. Not just saying that because he’s the most well-dressed character in the latest “Harry Potter.” He’s actually quite a good singer, as well as an adequate guitar player (not that I know how to judge guitar playing, but); I thought his playing accompanied his voice and lyrics very nicely. His words were heartfelt and charming; from the 4 songs on YouTube, I didn’t think they were particularly clever, but for debut work? It’s something special.

It’s even more fantastic that he’s seriously considering pursuing a career in/an education in music. It’s not hard to tell that he could easily have a following and new life as a musician, and I think he would also have a good presence as a performer and entertainer. He definitely has the acting background for it, and he has shown comfortability with a camera and in front of audiences, on YouTube and in press conferences and the like.

In case you haven’t checked out the link of Felton performing yet, I’ll debrief you:

The videos begin like many amateurs’ do; you see someone’s arm retreating from the webcam button. The first thing I noticed was the sepia coloring, which I think is a unique touch. Then, the scene [probably Felton's bedroom (ooh)] is revealed, and we see he’s lucky enough to actually have some pretty good equipment… microphones, a couple guitars in the background in addition to the one in his hands… He wears his signature polo or striped shirt/sweatshirt and a smile.

Yes, the sound and picture are a little mismatched in a couple of the videos, but one hardly notices because Felton’s confident-yet-bashful grin would tell anyone that he just.doesn’t.care. He knows when he makes mistakes, but he doesn’t have to be perfect. It’s a testament to his character that he puts these videos up, daring fans to disown him for a few chord errors or the times he almost forgets to sing. Of course, his fans would never do such a thing. If anything, they grow more and more in love with Tom with each amused “oops” smile on his lips.

If you could be anywhere” would definitely be his single, if he ever released one. he has edited the video and overdubbed himself, so he’s strumming in one layer, picking in one layer, and singing melody in a couple layers (I don’t think he harmonizes with himself). Toward the end, he even adds in a harmonica riff, which he plays passionately well. If I had any misgivings, it would be that this song (or the portion in the YouTube video) is extremely short.

As he fingerpicks his way through the feel-good melodies on all these songs, we think, “Draco who?” The nasty Potter arch-rival is nowhere to be seen–there’s not even much angst in the lyrics, just clear-headed optimism.

Actually, the Feltbeats videos are rather difficult to critique. If it seemed like he were putting himself out there for a reason, as if saying “look, I can do more than act in family movies,” then we might be able to tell whether he was doing a good job. When Daniel Radcliffe (Harry Potter) did “Equus,” the play in London, he explicitly told the media something like, “I want people to know that I can act in different genres, and that I have a future as a different kind of actor.” Admittedly, Radcliffe got excellent reviews for “Equus” (maybe partially just because everyone who went saw him naked, so he may have been mainly praised for sheer confidence in himself… which also goes a long way, but I digress…), but he set out to prove something.

Nowhere have I read anything from Tom Felton that implied that he was making music for any reason other than his own pure enjoyment. And no one can be faulted for that.

If I could be anywhere, I would be on the Feltbeats YouTube channel. : )

[@feltbeats and @TomFelton are both excellent follows on Twitter; look them up!]

July 22, 2009

Illuminating Ruminating

[This article was originally a continuation of the post below, TwitterBurger.]

I can’t help it; I love looking at every single one of people’s Tweets. You never know what you might miss, I suppose… and some are really quite profound or inspirational. Take this, for example: I follow Deepak Chopra (if you don’t know who he is…look it up), and he has some really amazing quotes. Today he Tweeted: “We have fallen into the place where everything is music. -Rumi

I would imagine that this has something to do with Rumi’s general teachings (I had to look this up too): He believed that he had been disconnected from his creator and had begun to think himself above it/him/her, but that he had the ultimate goal to reconnect with his primal roots and restore that relationship.

So at first, the quote that Deepak Chopra Tweeted seemed a little… derogatory, shall we say? towards music. If we have “fallen” to that place where everything is music, it doesn’t seem very positive. It makes me think of falling from grace, or “falling” as a sort of failure. So despite my unconditional love for music, my conclusion was that perhaps Rumi saw music as monotony? To say that “We have fallen into the place where everything is monotonous” would make much more sense, since monotony isn’t really something we strive for, and it could definitely be said that our world has become monotonous (despite all the Twittering).

However, even my extremely rudimentary Rumi research through Wikipedia told me that Rumi was anything but skeptical or pessimistic towards music. Apparently, he wholeheartedly believed that music was one of the best ways to get back in touch with his creator or God.

(At this point I must stress that if you know anything about Rumi, please tell me, because I’m completely at a loss and I’m a little distrustful of Wikipedia sometimes.)

Anyway, Wiki says that Rumi thought poetry, music, and dancing were the ways in which people were most spiritual and soulful. The idea of “whirling dervishes” (which I always thought were a kind of garden ornament) originated around Rumi’s time. They were so invested in the sounds that they would move in whatever way the spirit moved them, which often resulted in spinning. Pretty soon, this sort of dancing became a ritual, during which Rumi believed that the soul was damaged and repaired, and when it was repaired, there was a renewed devotion to God.

From Wiki: “In this journey, the seeker symbolically turns towards the truth, grows through love, abandons the ego, finds the truth, and arrives at the Perfect. The seeker then returns from this spiritual journey, with greater maturity, to love and to be of service to the whole of creation without discrimination with regard to beliefs, races, classes, and nations.”

Honestly, this sounds amazing. I was never one for believing that the soul could have just one point of revelation; rather, it is always evolving and maturing. But for the alternative, it’s an amazing idea. And of course, whether you believe the soul goes through one very powerful transformation or many, I do concur with the idea that music plays a huge part of it.

“Falling into music” is a little bittersweet, and actually I think I was partially right in my analysis of it. We’ve fallen into a place where everything is monotonous, but we can choose to see it as music, because that is all we have. And because music is so powerful, we can choose to make something of it and use it to our advantage, not just in the world but for ourselves, spiritually. And once we change ourselves, we are well on our way to changing the world anyway.

July 19, 2009

New Directions

Filed under: In My Life, Music — Tags: , , , , , , , , — josahlin @ 12:24 am

The downside of introducing your blog to lots of people who know you is that then it’s very awkward to actually blog about them.

So in other news…

I changed my desktop background. Boring, no? But it’s a gorgeous picture I took at the Grand Canyon, and it reminds me of the amazing trip my mom and I took last year. Good times.

Went to Caleb’s again today–we sorted and resorted bottles of soda. No, really. It was tons of fun. But of course, if I were with Caleb I’d probably think watching the stock market change was fun, so that’s not saying much. Church tomorrow, and I’ll probably blog about that.

Besides my simple goal of blogging every day, I’d like to develop some trends. Sundays and Tuesdays can be faith days, and if I go to church or something like that I’ll talk about the experience. Mondays, Wednesdays, and Fridays are music days. Thursdays are random, things-on-the-street days, and maybe movie reviews, and Saturdays can be fiction days.

Ahhh this is so exciting! I feel like I need to catch up for every week I’ve been blogging and not done this. wow.

Also, I have a few resolutions that are not to be mentioned outside of cyberspace, just in case:

1. Get up earlier. Wake up at 9 and stay awake, even if I do just read in bed.

2. DO more. Get out. See stuff. Maybe take pictures of it or write about it to prove that I’ve gained new insight. ha.

3. Read more. This includes others’ blogs, the magazines I have piling up, and my ever-expanding book list. But mostly the books, I think.

4. Say “yes” more. It may be just because I just finished “Yes Man,” but I want to feel better about trying new things. I thought about shooting a bb gun today at nothing in particular at Caleb’s, but I’ve never held a gun and I’m not sure I want to. And… I suppose there’s nothing wrong with it if it’s just target practice, right?

5. Listen to more new music, and review it.

6. Pick one thing each day to love in my life.

7. Pick one thing each day to think about. (This sounds really dumb, but I like the idea. Some problem to solve, or something to pray about. It can’t hurt.)

8. Pick one thing each day to better something/someone other than myself.

9. Do one thing each day of which I’m proud. It has to be something that I didn’t accomplish on the computer (unless it’s a set of articles or something).

10. Blog about something that has potential to influence others or be meaningful to someone.

I think this is about the time of year where people really do start to slip on New Year’s Resolutions, so maybe it’s time to revamp. What are your resolutions? Are they ones you’ve tried before? Why are they important to you?

April 19, 2009

Lucky.

Filed under: Faith/Spirituality, In My Life, Music — Tags: , , , , — josahlin @ 4:04 pm

I had this moment of epiphany (among many, the other day) where I realized that this picture I had was of something very different than what I thought it was. 

It’s the picture I uploaded for the pic of this site– the peace sign one. That was painted on the side of a building in Laurel Canyon in Hollywood, where many many stars have lived and live now. 

It has been my desktop picture for some time now, so I’ve been looking at it for quite a while. And I always saw the white form on top of the peace sign as a white dove, which made sense since they’re the symbol of peace.

But the other day, while I was staring at my computer and shedding more tears over the dumb situation with my parents, I realized it was a hand holding the peace sign… and of course, in my weakened state my whole world came together at an apex at the moment I realized that and what it meant– we all hold peace in our hands, and when we don’t realize that, we keep “waiting for the world to change,” and nothing happens. 

I have fewer doubts now that peace WILL spread, as long as individuals take advantage of the power of peace that each holds in his hands. 

It’s not a joke that I believe in music so fully. It’s not just because I’m so at a loss for something else to believe in, it’s not just because I’m so lazy that all I do is listen to music anyway, so that might as well be what I have faith in. It’s not just because that’s what I grew up with instead of a religious background, so that’s all I know. All of those things may be true, but in my defense I will say that it’s not for lack of thought that I’ve come to the conclusion that music is the most real and most powerful thing we can believe in.

If I really wanted to go out on a limb, I would proclaim my belief that furthermore, the Beatles have everything one needs to live. Again, my ignorance is “at fault,” because I’m sure many people would say, “well, that’s because you haven’t heard ________.” I realize that the Beatles themselves aren’t the epitome of perfection (though they’re pretty damn close). I realize that they aren’t even very good musicians or musical geniuses, in comparison with people like Hendrix or Santana, or the classical greats like Bach or Tchaikovski. But personally, their music speaks to me more than anyone else I’ve ever heard. 

Anyway, can I hear an Amen?! I’m sure there are others out there that have felt music resonate with them more than any sermon or revelation. Maybe not. Can I hear a Nay from the others?

I’m Lucky I’m in love with [the Beatles]. Ironically, I haven’t listened to the Beatles at all today… Jason Mraz (who is also a musical god) has been my soundtrack so far. And yes, I do go some days without listening to the Beatles at all. Just like many people go many days without going to church. It doesn’t mean we’re without worship or recognition of the Greatness.

April 18, 2009

Quartet for the End of Time

Filed under: In My Life, Music — Tags: , , , , , , , — josahlin @ 8:16 am

Today was ironic because it was the date of the publication of the first-ever “Counter Point Journal,” which was created in obvious rebuttal to our formal school newspaper, and this week I designed almost three pages in our Cooper Point Journal.

Today was ironic because I’m writing this paper on faith, and I’m way behind. I figured out that I wanted to work in the idea of music, and that people can ultimately have faith in music. Then, I accidentally uncovered an email that my mom sent me months back that I’d never read, because it was a forward. But it was called “A Contemplation on Music,” and it was a welcome address given to freshmen at the Boston Conservatory by Karl Paulnack, who teaches there. It’s perfect–it has every tidbit I want and need for my paper. But it contains all the sentences I wish I could say. He recommends many classical pieces, one of which I’m listening to right now. It’s called “Quartet For The End Of Time,” by Olivier Messiaen. He was French and lived in the 1940s, when he was captured and sent to a German concentration camp. There, he wrote this piece, that was composed for four musicians– the four he found in the camp, including himself. It’s dark.

Today is ironic because, to couple with finding that paper in my email, I had one of the best classes ever. Our teachers brought in a panel of three other faculty members who could talk to us about faith. They spoke of their experiences and bared some parts of their pasts, which made them very vulnerable. Andrew, one of my seminar leaders, even said that he felt so uncomfortable with it that he wouldn’t have been able to talk like that at the beginning of the year. But now, he said, he trusts us more. I took that very personally, and was thrilled to hear that we were deserving of his stories.

That’s ironic, because I was very excited about my fantastic class time and all I wanted to do was tell my parents. And all I asked was that they be together so they could put me on speakerphone and we could all talk at the same time. But, my mother went to the lake again (which I don’t fault her for, really) which meant I couldn’t talk to them simultaneously. And I refuse to say everything twice! That always happens, and I hate it. It always sucks the second time and I leave things out and I’m not enthusiastic and it feels like a chore.

So then I wished I could call Shadow up right now and talk to him about this! Then life would be perfect. Actually, if I had a sibling right about now it would make me SUPER happy. Mom always said that the most solid thing that helped her get through her parents’ divorce was her brother. I don’t have one (but I’m not going through a parent’s divorce). What now?

I feel like there’s something else that I could reach out to to help balance things a bit, but I have no idea what it is. I’ll probably have some revelation where I realize it was God I was searching for all along, but I’m not ready for that yet.

Right now I just want to listen to Beatles and find the comfort I know.

July 18, 2008

Shine a Light

Filed under: Articles, Music — Tags: , , , , , — josahlin @ 10:05 pm

I wrote this movie review (of Martin Scorcese’s concert/documentary film of the Rolling Stones “Shine a Light”) for my high school newspaper. I saw the movie in an IMAX theater in Vancouver, BC.

__________________________________________

There are some things about your parents and their past that you just have to ignore or pretend don’t exist. Like the fact that both of them may have worn bellbottom pants and enjoyed disco balls at one time. But you can’t always just write off their music sense… or even lack thereof. I think I can truthfully say that my life changed when I started listening to what my parents said was great music.

Of course, it’s also thanks to them that I’m rather in denial about what decade to which I think I belong.

While they relive their adolescence through movies like “Across the Universe,” all I can do is long for what I missed. And while my parents were able to experience real concerts of groups like the Stones and Queen, I’m forced to only imagine what it could be like to actually sit in Mick and Keith’s audience.

It is, admittedly, a little easier to imagine in an IMAX theater where Keith’s guitar and Mick’s lips are even larger than life.

Martin Scorsese has brought us hits like “Taxi Driver,” “The Aviator,” “Gangs of New York” and “The Departed.” Now, he’s brought a New York stage to mere mortals who haven’t been touched by the sweat of a Stone (metaphorically speaking) or counted their wardrobe changes during a concert. Complete with snippets of black-and-white interviews straight from the 60s, Scorsese’s newest film “Shine a Light” reveals the glory of one of the finest rock groups of the British Invasion.

The main performance footage of the movie was shot at the Beacon Theater in New York City, where the Rolling Stones performed two nights in a row to packed crowds. The audience was varied in age and social status, from your average teenage girl to Bill, Hillary and Chelsea Clinton.

Bill Clinton introduced the group, reminding everyone that he’d had the pleasure of doing so before, and that he still thought the Stones were forever a classic group, one that many generations could enjoy. And when the camera panned over him in the second half of the movie, he seemed to be genuinely enjoying himself.

Some say the Stones are at the absolute bottom of their game. They’re still wearing skin-tight leather and hippie-era-jewelry, while their wrinkles are growing and their skin is sagging. But they’re no less talented than when “Satisfaction” was number one on the charts. In fact, they secure their One-of-the-Greatest-Rock-Bands-of-All-Time status when they collaborate with other contemporary artists, like blues guitarist Buddy Guy, Jack White of the White Stripes and Christina Aguilera. These musicians were all featured in the movie in duets.

The Rolling Stones have always had a somewhat questionable reputation. Between the Beatles and the Stones, the Stones were always the “bad boy” band who had supposed drug references and satanic allusions in every song. They are quick to remind critics that it’s all in the interpretation, however.

The band is made up of Mick Jagger (vocals), Keith Richards (guitar), Charlie Watts (drums) and Ron Wood (bass, guitar). All are in their sixties. Their voices are gravelly, their arms are veiny and their hair is thinning. But they’re still performing, with more vigor and enthusiasm than we find in many other artists. They’re still producing music, with more talent and genius than most mainstream contemporaries.

So why wouldn’t you want to experience the closest thing you’ll ever get to seeing the second-best rock band of all time (Beatles still rank number one, of course)? Maybe because the thumping bass is just too thrilling. Maybe because the songs are too familiar and enjoyable. Maybe because otherwise, your parents might just rub it in your face that they got to experience the hype firsthand.

Or, ok… maybe because “Shine a Light” isn’t actually playing in a theater near you, let alone the IMAX. It’s bound to come to our hamlet soon, and if it doesn’t, it will definitely be available for rent. At least invest in some digital surround-sound to make the most of the experience, and watch it with someone who can relive the band’s greatest highlights.

__________________________________________________

July 1, 2008

Zoot Suit Riot

Filed under: In My Life, Music — Tags: , , , , , , , — josahlin @ 11:06 pm

…is playing, and I just realized my stupidity after the last post. Of course you can change the tagline under the blog’s title. Why didn’t I think of that?

Well, eventually, I did.

But the fact still remains, that the whole blogging thing may just be a Catch-22. There’s little motivation to post anything if there’s no feedback, but there’s no feedback if we don’t post anything.

I could bitch and moan some more, but I’m in a much better mood thanks to all the music I’m putting on my computer. I got an eMusic account (www.emusic.com) yesterday… one of the best things I’ve ever done! I love it! Plus, I got 50 free downloads right off the bat. Could it get any better? The only slightly sad thing is that they don’t have any really mainstream artists. That’s ok, because I’m not that interested in much mainstream music because, frankly, it’s crappy. But I do wish I could get some of the classics, like Elvis… because it’s still way cheaper than a CD… and let’s face it, the mainstream artists don’t need or really deserve all the money we’d be giving them if we bought their CDs. The off-the-beaten-track artists do, and they’re not profiting much from this whole eMusic thing, but it’s better than LimeWire for sure.

I wasn’t against LimeWire until I wrote the article below. Even now, I can’t really pinpoint exactly why I don’t really approve of it. If I need a song and don’t have time to purchase it, I’ll still get it from LimeWire (usually only if the artist is mainstream, or if I already have at least one CD by the artist). Yeah, I guess it’s still a little hypocritical. What can I say; I just love my music and will go to any lengths to get it…

So, I leave for California tomorrow (well, technically Phoenix, and then drive up) and I’m just totally stoked. I just hope all this music syncs to my iPod in time, because it was really slow yesterday. The BEST thing in the world would be to see some celebrities there.

I also can’t wait to go to school. Absurd, I know… but if you only knew Evergreen! It’s fantastic.

I’m out. for now…

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